From Publishers Weekly
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My shoes are not fashion, they are gestures. So says
Blahnik in a book that lays out his designs as brightly colored
whimsies, sketches deftly convey the essences of his creations.
Drawings show shoes alone or with a hint of foot and leg, and yet
there is so much energy and color in the 134 illustrations (125
in color) that they seem to wink and pirouette off the page. As
designs, the shoes are salacious cartoons of themselves, curvy
and heeled, bejeweled and shimmery. Celeb quotes, interspersed
throughout, heighten the spiraling sense of posturing and play.
Madonna says, they are as good as sex... and they last longer.
You just put on your Manolos and you automatically find yourself
saying Hi sailor' to every man that walks by, says Joan Rivers.
Naomi Campbell calls the man the godher of sole. Paloma
Picasso, Isaac Mizrahi, Bianca Jagger also check in, and there
are introductory essays by Vogue titans Anna Wintour, AndrE Leon
Talley and Anna Piaggi, as well as by Michael Roberts of the New
Yorker. The tasteful layout defers to Blahnik's work, with
minimalist gray text alongside the circusy colors, and Blahnik's
fabulous cursive descriptions. Divided by decade, from the 1970s
to the 2000s, the collection is diverse and fun, and as
documentary as a museum catalogue. It should appeal to any
fashionista or design aficionado anyone with a sense of shoes as
art.
Copyright 2003 Reed Business Information, Inc.
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Review
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Manolo Blahnik's shoes inspire fanatical devotion.
''Manolo Blahnik's shoes are as good as sex, '' Madonna has said.
''And they last longer.'' Diane Von Furstenberg has more than
eighty pairs; Paloma Picasso has been a fan since she was
fourteen; Bianca Jagger and Kate Moss, to name just a few, are
fellow addicts. For three decades, Blahnik's sense of the
theatrical wedded to the finest materials and superlative
craftsmanship have held the fashion world spellbound, and his
creations have graced the catwalks of great designers from Yves
Saint-Laurent to Isaac Mizrahi to John Galliano. Here, collected
together for the first time, are over one hundred exquisite
drawings that Blahnik makes at the outset of the design process.
These sketches are executed with such exuberance and deftness
that they have become as sought after as the shoes themselves
(they often fetch up to $15,000.00 at charity auctions).
Inimitable in style, the drawings, beautifully reproduced in this
book with special inks, vividly convey Blahnik's unique vision.
Whether it's a Grecian sandal designed for Galliano, with a
snake-like strap slithering up the calf, or an emerald- and
bead-fringed satin mule, the seductive attention to detail in the
drawings conjures up the shoe itself. Illuminating introductions
by Anna Wintour and Michael Roberts explore why Manolo Blahnik's
shoes inspire such passion, and these are complemented throughout
the book by the words of admirers including Suzie Menkes,
Donatella Versace, and David Hockney. Michael Roberts also
contributes a photographic essay showing Blahnik at work in his
studio, making sketches, preparing the wooden lasts, and
supervising the production of his shoes at hisfactories in Italy.
A final ''scrapbook'' section includes Manolo Blahnik's own
photographs of family, friends, and inspirational places.
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About the Author
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Anna Wintour is the editor of American Vogue.
Michael Roberts is fashion editor of The New Yorker and author
of, among many other books, Jungle ABC and Manolo Blahnik
Drawings.
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